PDF Ebook The Seventies: The Age of Glitter in Popular CultureFrom Routledge
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The Seventies: The Age of Glitter in Popular CultureFrom Routledge
PDF Ebook The Seventies: The Age of Glitter in Popular CultureFrom Routledge
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The Seventies is must reading for anyone who wants to revisit that glam decade and the contributions it made to our culture. The contributors take you on a fascinating journey that looks at the Black Panthers, Jonestown, glam rock, black action films and gay male subcultures as well as including queer rereadings of cultural phenomena, examinations of clothing and seventies bodies, and an essay on the meaning of sound in the seventies.
- Sales Rank: #3425529 in Books
- Published on: 1999-12-19
- Released on: 2000-01-20
- Original language: English
- Number of items: 1
- Dimensions: 11.69" h x .74" w x 8.27" l, .97 pounds
- Binding: Paperback
- 326 pages
Review
""The Seventies offers fascinating insight into the significance of a truly weird era using the critical tools of late-'90s cultural theory. But fear not-this is academic in scope, but far from stodgy in execution. With essays taking on the Black Panthers, glam rock, porno chic, suburbia, Jonestown, blaxploitation flicks, '70s body types and more, these scholars boldly straddle the highs and lows of American culture, unafraid to wallow in a little "trash."
Refreshingly, "The Seventies steers clear of the shallow waters typically traveled by most purveyors of retro-hell, allowing Eldridge Cleaver, David Cassidy and Patty Hearst to bump booties with Karl Marx, Jacques Lacan and Gilles Deleuze."
-"Tucson Weekly
"If examinations of the "subversive, democratizing" effects of polyester leisure suits, the "trisexual self-reflexivity" of glam rockers The New York Dolls, or the "queer heroine" status of black action queen Cleopatra Jones strike you as intriguingly offbeat, this collection is for you."
-"Tucson Weekly
..."daring...."
-"Cultural Polemics
"Waldrep has collected 14 essays that aim to contest the romanticizing impulse by exploring the contemporary political and cultural meaning in such icongraphic cultural and artistic artifacts as the rock band New York Dolls, the TV show Bewitched, the movie Shaft and disco music. . . . illuminating essays show that the decade was rich with cultural meaning."
-"Publisher's Weekly, November 15, 1999
"The strongest essays... combine a close attention to specific textual detail with a broad sense of cultural signifigance and a willingness to scrap vague generalizations about "the seventies" for more incisive culturalcritcism. These essays manage to avoid the banality of nostalgic fascination..." Daniel Wickberg, University of Texas."
About the Author
Shelton Waldrep is Assistant Professor of English at the University of Southern Maine. He is co-author of Inside the Mouse (1995).
Most helpful customer reviews
14 of 17 people found the following review helpful.
Post-Modern Theory at its Most Half-baked
By Jason P. Gubbels
As fun as pop culture theory can be, too often it merely signifies what those suspicious of academia suspect lurks in every college campus across America. It's an unfair assessment, of course - anti-intellectualism is just as boorish as intellectualism - and yet, when one reads a book like this, it's difficult not to sympathize with the critics.
A collection of fourteen essays concerning the 1970's, this book, compiled by Shelton Waldrep, attempts to investigate just how the 1970's affected popular culture (American popular culture, of course, although that's not explicitly stated). This sounds interesting, but the theorists sampled in the book are writing from a viewpoint which suffers multiple drawbacks - the lowbrown-driven highbrow.
It's all good fun to pose theories of retro-chic and falsely-constructed nostalgia using the movie "Wayne's World" as a primary source (as Stephen Rachman does), but to what greater end? It's amusing to read how Cindy Patton compares J.L. Austin's critical analysis of words and language to "The Opening of Misty Beethoven," a porno flick, but why bother?
While articles such as Sonhya Sayres' exploration of the Jonestown massacre and Van Cagle's look at glitter and The New York Dolls are at least well-written and intelligently posed, the majority of this book is insulting to both the intelligence of highbrows and the concerns of the so-called "lowbrows" that this popular culture is supposedly aimed at. By deconstructing bellbottom fashions, say, or blaxploitation flicks, we come no closer to the "meaning" of popular culture or the forces that drive it, but merely drive a wedge between the intended audience and the apparent intellectuals who desperately need "lowbrow trash" in order to justify their upcoming journalistic essays
Only Greil Marcus's closing essay, concerning the death of 60's idealism as embodied in Bob Dylan's "Self Portrait," remains true to either the spirit of intelligent criticism or the joy of popular culture. Read this for a laugh, or to shake your head at the sorry state of academia. Otherwise, don't clutter your mind with this stab at faux-elitism.
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