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Castration is a lively history of the meaning, function, and act of castration from its place in the early church to its secular reinvention in the Renaissance as a spiritualized form of masculinity in its 20th century position at the core of psychoanalysis.
- Sales Rank: #1145340 in Books
- Published on: 2000-10-27
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 6.25" w x .75" l, 1.34 pounds
- Binding: Hardcover
- 318 pages
From Publishers Weekly
Early in this absorbing treatise on the changing nature of manhood in Western culture, English professor Taylor remarks, "This is a specter that has haunted men for centuries: the fear that manhood will become, or has already become, obsolete, superfluous, ridiculous, at best quaint, at worst disgusting." Nowhere, he contends, is this specter more obvious than in the cringing reaction most men have to the word "castration." In this book, Taylor uses an imaginative analysis of the history and purposes of castration to examine the cultural construct of masculinityDspecifically in relation to reproduction. Equally comfortable discussing the implications of pop singer Tori Amos's lyrics as he is reinterpreting the antisexual writings of church fathers Justin Martyr, Clement and Tertullian or Margaret Atwood's The Handmaid's Tale, Taylor gracefully guides the reader through carefully constructed arguments that go so far as to declare that, in some times and cultures, being a eunuch is a social advantage. In a feat of bravura literary criticism, he uses a detailed explication of Thomas Middleton's obscure but important 1624 play A Game of Chess (a metaphysical commentary on the Reformation) as the centerpiece of his many-pronged cultural investigationDa move that is both audacious and illuminating. But while Taylor's expertise as a Renaissance scholar shines here, he shrewdly and subtly links the play's concerns to such varied historical events as the history of psychoanalysis and sexual racism toward blacks and Jews. Though of primary interest to literary scholars and historians of sexuality, this work will also reward sophisticated general readers with its wit (including a cover depicting the upper torso and wincing head of a Greek male statue) and insight. (Nov. 30)
Copyright 2000 Reed Business Information, Inc.
Review
...the good news is that Taylor is riveting on Middleton. ...Taylor knows his stuff... -- Rowan Pelling, New Statesman
The journey is entertaining and informativie... -- Rowan Pelling, New Statesman
...Taylor seems as cheerily loony as his title. His prose style springs from the groovy prof school of writing, so Abelard and Foucault are quoted alongside Christina Aguilera and Tori Amos... -- Rowan Pelling, New Statesman
Not for purists; great fun for anyone else. -- Choice, M.J. Emery, Cottey College
An absorbing treatise on the changing nature of manhood in Western culture. that uses a wide range of literature to explore male fears. It will reward sophisticated general readers with its wit and insight. -- Publishers Weekly
[An] absorbing treatise on the changing nature of manhood in Western culture. In this book, Taylor uses an imaginative analysis of the history and purposes of castration to examine the cultural construct of masculinity -specifically in relation to reproduction. Equally comfortable discussing the implications of pop singer Tori Amos's lyrics as he is reinterpreting the anti-sexual writings of church fathers Justin Martyr, Clement and Tertullian or Margaret Atwood's The Handmaid's Tale, Taylor gracefully guides the reader through carefully constructed arguments that go so far as to declare that, in some times and cultures, being a eunich is a social advantage. -- Publishers Weekly
(continued) In a feat of bravura literary criticism, he uses a detailed explication of Thomas Middleton's obscure but important 1624 play A Game of Chess. as the centerpiece of his many-pronged cultural investigation - a move that is both audacious and illuminating. But while Taylor's expertise as a Renaissance scholar shines here, he shrewdly and subtly links the play's concerns to such varied historical events as the history of psychoanalysis and sexual racism toward blacks and Jews. Though of primary interest to literary scholars and historians of sexuality, this work will also reward sophisticated general readers with its wit. and insight. -- Publishers Weekly
This dense, scholarly yet thoroughly entertaining book examines the uses of castration... along with thousands of years' worth of popular attitudes about the male genitals. Taylor posits that understanding what it means to be biologically unmanned is an excellent way to understand what it means to be a man. You don't need to be enthusiastic about this thesis -- or even to be male -- to find Castration terrific reading. -- Salon
A passionate, provocative history of ideas about male sexuality--and the best account of castration you're ever likely to read. -- Maggie Paley, author of The Book of the Penis
Gary Taylor's Castration is learned, provocative, and surprisingly persuasive. It is entirely characteristic of its author, at once polemical and reasonable, historically detailedand wildly imaginative. I found it endlessly informative and compulsively readable. -- Stephen Orgel
Taylor's writing is academic in the best sense -- well-researched and unapologetically informed (and opinionated) about both high and popular culture. This isn't USA Today-style speculation about trends and people. Taylor's ideas are so well-reasoned that the reader is gladly seduced into following each argument as far as it goes. Taylor's uxtaposition of history, culture, and psychology, along with his comfort about sexuality, breaks new ground here. The reader's relationship to genitalia -- his/her own and others' -- is forever changed after reading this excellent book. By examining sexuality in its historical context, crucial for understanding other civilizations, he makes the arbitrariness of our own erotic beliefs startlingly visible. - Marty Klein, Ph.D Libido: the Journal of Sex and Sensibility.
Taylor has written a thoroughly engaging and witty account of the history and misconceptions of castration... Castration provides a useful, original, lively, and long overdue look at one of mankind;s most essential physical and cultural components. -Virginia Quarterly Review.
About the Author
Gary Taylor is Professor of English and Director of the Hudson Strode Program in Renaissance Studies at the University of Alabama. His books include Cultural Selection: Why Some Achievements Stand the Test of Time and Others Don't and Reinventing Shakespeare: A Cultural History from the Restoration to the Present. He is the general editor of the Oxford Shakespeare.
Most helpful customer reviews
23 of 33 people found the following review helpful.
A Unique History of Eunuchs
By Rob Hardy
According to Gary Taylor in _Castration: An Abbreviated History of Western Manhood_ (Routledge) a castrated man is just what some women would want, and have wanted for centuries. This is bound to sound peculiar to those in the twentieth century raised on Freud, or more recently those who have followed the follies of John and Lorena Bobbitt, but before Freud, castration always meant removal of the testicles, never removal of the penis. It was reproduction that was important then, and the "stones" were what mattered. Now that we have reproduced entirely enough, the "scepter" is more important. Sex for pleasure is now more vital than sex for reproduction.
Eunuchs, just like oxen, were useful. They guarded the harems, for one job, but power in the bedchamber within some societies became legal or military power. A eunuch had no testicles, but had enough genitalia left to play games in the harem. Jesus spoke highly of eunuchs, and Taylor makes the case that he was speaking literally. Augustine, however, insisted that Jesus's words were an allegory to promote priestly celibacy.
Taylor is a Shakespearean scholar (the editor of the Oxford Shakespeare), and in a show of scholarly breadth cites plenty of the Bard, but cites also other Elizabethan playwrights as well as Tori Amos and Christina Aguilera. Funny, provocative, scholarly, and decidedly offbeat, _Castration_ is a witty tour-de-force.
0 of 0 people found the following review helpful.
Fascinating provocative research
By LAURA
A provocative and somewhat misleading title, as work deals firstly with theater of Thomas Middleton, but also with entire history of notion of castration - removal of testes, not penis- from Mesopotamian cultural practices to Renaissance musical habits and more. Gary Taylor is Editor of the Oxford Shakespeare, and a specialist of the lesser known but highly prolific Middleton - best known for the classic "The Roaring Girl". A great scholarly work. Don't be put off by the title.
39 of 63 people found the following review helpful.
What a real Eunuch has to say.
By The Real Eunuch
I have not read this book but I am a real life Eunuch. I had my testicles surgically removed. In an Interview on Salon.com the author says "Castration does not get rid of the sexual drive, get rid of erections or any amount of sexual activity." WRONG!!! How would he know any way? He is NOT a Eunuch. He has had a vasectomy but that is totally different. I can speak from experience; when a man becomes a eunuch his sex drive drops to absolute zero. I had a very strong sex drive prior to castration but it is now completely gone. The only way for a Eunuch to regain his sex drive is to take some form of testosterone replacement. I have never heard of any real life Eunuch who was not on testosterone replacement therapy that had a sex drive. Don't waste your time on this book; the author obviously didn't do enough, if any research. If you want to learn about Eunuchs then search the web. There are a lot of us out there, and our numbers are growing.
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