Sabtu, 07 November 2015

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In The Good Citizen, some of the most eminent contemporary thinkers take up the question of the future of American democracy in an age of globalization, growing civic apathy, corporate unaccountability, and purported fragmentation of the American common identity by identity politics.

  • Sales Rank: #3423124 in Books
  • Published on: 1998-12-22
  • Original language: English
  • Number of items: 1
  • Dimensions: .73" h x 5.33" w x 8.28" l,
  • Binding: Hardcover
  • 144 pages

From Publishers Weekly
This collection of essays, according to the editors (who teach social ethics and philosophy, respectively, at the University of San Francisco), concerns "citizenship, considered as an ideal and a practical identity, and embracing of both moral value and pragmatic institution." It's a very mixed bag, however, which includes some fairly clear arguments but also some others that devolve into heavy-handed leftism or academic inscrutability. Sociologist Robert Bellah (Habits of the Heart) offers some practical advice: fight to reform global economic agreements like NAFTA; "focus on the real problems of the underclass"; fuse the voluntary sector and the government. Undeterred by the widespread mockery of his concept of "the politics of meaning" (and his book of the same name), Tikkun founder Michael Lerner recognizes how liberals fixated on economics and rights issues ignore people's spiritual and psychological needs. But some essays contain overheated rhetoric: "financial status determines whether one is deemed a criminal," declares Barbara Christian. Mendieta dismisses critics of identity politics by declaring neoliberal politics and economic restructuring the real causes of civic decline. Berkeley professor of rhetoric Judith Butler closes the book with an analysis of homosexuality in the military that founders on sentences like this: "Only within that regulatory discourse is the performative power of homosexual self-ascription performatively produced." Citizenship, presumably, requires a common language. Not enough of the essays in this collection take that to heart.
Copyright 1999 Reed Business Information, Inc.

From Library Journal
This collection of essays by nine intellectuals is thought-provoking, passionate, and stirring. The editors open the discourse by pointing out that the picture of an American flag on the cover is not a photograph of the flag but a painting used in advertising jeans and T-shirts. The flag, which isn't inherently significant, carries many messages as an icon. Who is a good citizen? The question is refracted through the topical issues of morality, the polarization of Left and Right, the ethics of technology, and the groups excluded by the white establishment. Cornel West examines democracy framed by class distinctions and racial exclusion. Batstone outlines 20 rules for net life that substitute for community in cyberspace. Mendieta and Linda Martin Alcoff explore the Latin American identity formed in opposition to the colonial and imperial policies of Spain and Portugal. Recommended for public and academic libraries, this is required reading for all citizens.?Kevin Whalen, Somerset Cty. Lib., NJ
Copyright 1999 Reed Business Information, Inc.

From Kirkus Reviews
Essays exploring the meaning and nature of citizenship. In their introduction, Batstone and Mendieta (both of the University of San Francisco) challenge readers to truly consider what it means to be an American citizen. This challenge is well met and spurred on by this collection of essays written by some of America's most innovative social thinkers. The essayists agree that citizenship is a good thing, expressing the obligation each has to the community and the community in turn to individual autonomy. Two themes thus emerge. One is concerned with conditions that may be threatening this delicate balance between self and community. Cornel West worries that amid a culture of commodification and consumption, personal gratification will cause the American tradition of struggle for freedom and dignity to atrophy. Robert N. Bellah shows how the extreme polarization of wealth in America over the past two decadesamong a few ``haves,'' many more ``have nots,'' and a struggling, frightened middle stratummakes the notion of a common civic responsibility virtually impossible. The second theme is how citizenship is being, or ought to be, redefined. Batstone sees traditional communities being replaced by ``the [communication] network society,'' which transcends borders and can inform and empower citizens in new, exciting ways. Barbara Christian examines two views of America, one based on race (whiteness) the other on contract and consent. She and other contributors focus on how diverse ethnic and racial groups might share in American citizenship without forfeiting the right to group self-definition. Judith Butler engages in a similar exercise concerning gay men and lesbians. All contributors are vaguely ``on the left,'' though the ``left'' may have much to quibble with hereBellah's emphasis on spirituality, Batstone's rosy image of the network society. Also, not all the essays are of equal quality. West is, as usual, eloquent and impassioned; Butler is, as usual, erudite yet so opaque as to be unreadable. Thoughtful and thought-provoking essays on a topic of inestimable importance. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

8 of 11 people found the following review helpful.
Eclectic essays that prod re-examination of "Citizenship"
By A Customer
"The Good Citizen"; an equal opportunity inciter...
If an editor sometimes functions as a curator, David Batstone and Eduardo Mendieta have skillfully procured a stimulating collection of essays that provoke a response from their readers.
At first I wondered if there was a common theme connecting these diverse and original pieces, other than the subject matter of "Citizenship". After further reading I realized that I was being challenged to revisit our commonly held assumptions about the Social contract, community, and the Nation. It is the Process that is being championed, the process of entering into a dialogue with each other to re-define what it means to be a Citizen.
One can confidently commend "The Good Citizen" to the reader interested in these themes. The editors have succeeded in gathering an eclectic assortment of contributors who advocate, through their own energetic if sometimes undisciplined scholarship, theses guaranteed to variously challenge, please, incite, and motivate. One is left simultaneously catching her breath at the robust candor of assertions; and seconds later objecting to oversimplifications masquerading as research. The reader is hooked; the Process is working! One wants very much to engage in Dialogue with the authors.
The "Process" of interacting with these pointed and challenging essays isn't comfortable. "The Good Citizen" is an equal opportunity inciter. Whether Batstone and Mendieta fully envisioned the synergy they have created here or not, the push and pull of ideas, the sloppiness and unresolved dynamism emitted individually and between the essays, mirror the dilemmas we face in the Society at large.
The book is addicting. You find yourself caring what the author has to say. This is a book you want to read with a friend, over coffee,and discuss. Or choose for your Book club. But beware, faint of heart, if you are a consumer of DeCaf, this may not be the book for you. Fasten your seat belt. The Good Citizen" is a well blended, highly developed and intense Double Espresso, and it packs a punch.

9 of 30 people found the following review helpful.
The Deconstructionist Left Deconstructs America Today
By A Customer
It's sad that the mainstream media portrays the new book "The Good Citizen" as a "collection of essays by the best minds in the nation", when the editor, a San Francisco prof, has obviously screened out any writers with traditional views of anything American. Even a piece by the foreign-born "person of color" Dinesh D'Souza would have given this book "something of value". The composite mind here can be summarized rather easily. "We" are now ready to move beyond individual rights and move on to: "social rights", in which "society" (i.e., government) guarantees a certain standard of living for everyone; and "cultural rights", in which every self-identified minority group has a "right" to attempt to constantly increase their power and influence. Of course, it is "unthinkable" that the successul majority, would ever have the right to say that they did not wish to subsidize the remnants of society through tax payments to a so-called "acceptable" standard of living. Nor does the U.S. majority, which still happens to be white, Christian, and heterosexual, have the same rights as self-identified minority groups to attempt to constantly increase THEIR own power and influence. If you already believe this kind of deconstructionist fallacy, you will be supported in exactly what you already think. As for the rest of us, don't waste your time.

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Jumat, 06 November 2015

^^ Free PDF Encyclopedia of American Poetry: The Nineteenth CenturyFrom Haralson, Eric L. (EDT)

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Encyclopedia of American Poetry: The Nineteenth CenturyFrom Haralson, Eric L. (EDT)

With contributions from over 100 scholars, the Encyclopedia of American Poetry: The Nineteenth Centry provides essays on the careers, works, and backgrounds of more than 100 nineteenth-century poets. It also provides entries on specialized categories of twentieth-century verse such as hymns, folk ballads, spirituals, Civil War songs, and Native American poetry. Besides presenting essential factual information, each entry amounts to an in-depth critical essay, and includes a bibliography that directs readers to other works by and about a particular poet.

  • Sales Rank: #5678479 in Books
  • Brand: Haralson, Eric L. (EDT)
  • Published on: 2014-10-31
  • Released on: 2014-10-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.24" w x 8.50" l, .0 pounds
  • Binding: Paperback
  • 550 pages

Review

"It is a fine reference book to be in the stock of any good reference library. It is also a special book for anyone who has love for poetry, and a joy in celebrating the human condition at its best." UK Library Association Record

"Recommended for academic library collections." Choice

"Recommended for all libraries." Library Journal

"This excellent Encyclopedia is brilliant in a way so many intellectual projects are not: it is readable... The scope of this book is truly amazing: it gives evidence not only of the tremendous explosion in scholarly 'recuperation' that has taken place in the past three decades, but also of the great effort of editing and compilation in these areas necessary to bring into being works such as this Encyclopedia...This creative and learned book is more than useful: it's stimulating." Reference & User Services Quarterly

About the Author
Eric Haralson is Associate Professor at the Department of English, Stony Brook University, USA.

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Kamis, 05 November 2015

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This book examines the influence of neoliberal ideas and practices on the way knowledge has been conceptualized, produced, and disseminated over the last few decades at different levels of public education and in various national contexts around the world.

  • Sales Rank: #5106478 in Books
  • Published on: 2011-12-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x .75" l, 1.05 pounds
  • Binding: Hardcover
  • 266 pages

About the Author
Steven C. Ward is Professor of Sociology at Western Connecticut State University.

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Rabu, 04 November 2015

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Creating a Place For Ourselves: Lesbian, Gay, and Bisexual Community HistoriesFrom Routledge

Creating a Place For Ourselves is a groundbreaking collection of essays that examines gay life in the United States before Stonewall and the gay liberation movement. Along with examining areas with large gay communities such as New York, San Francisco and Fire Island, the contributors also consider the thriving gay populations in cities like Detroit, Buffalo, Washington, D.C., Birmingham and Flint, demonstrating that gay communities are truly everywhere.

Contributors: Brett Beemyn, Nan Alamilla Boyd, George Chauncey, Madeline Davis, Allen Drexel, John Howard, David Johnson, Liz Kennedy, Joan Nestle, Esther Newton, Tim Retzloff, Marc Stein, Roey Thorpe.

  • Sales Rank: #2211164 in Books
  • Published on: 1997-04-09
  • Released on: 1997-05-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.69" h x .69" w x 8.26" l, .97 pounds
  • Binding: Paperback
  • 306 pages

Amazon.com Review
The study of gay and lesbian history has, during the past two decades, grown enormously. Early work such as Jonathan Katz's 1978 Gay American History and Allen Bérubé's 1990 titleComing Out Under Fire: The History of Gay Men and Women in World War Two have paved the way for more historically detailed work. Creating a Place For Ourselves is a fine anthology of 11 essays that detail the formation of specific queer communities across a wide historical and geographic span including Buffalo, New York, in the 1940s; Washington, D.C. in the 1950s; and Philadelphia in the early 1970s. While the essays are by academics, they are accessible, readable, and highly informative.

From Library Journal
Butch lesbians in Buffalo, high-class lesbians in Cherry Grove, gay auto workers in Flint, and all sorts of gay folk in San Francisco and New York are all found in this collection of essays examining the development of myriad gay communities in the country. Washington, D.C., Chicago, Detroit, Birmingham, and Philadelphia are also covered. Doubts that there were sizable gay communities before Stonewall will now be put to rest. Sometimes focusing on specific events or subgroups, the sociological studies collected here by Beemyn (African American studies, Univ. of Iowa) demonstrate how gay and lesbian gathering places served not only as venues for sexual contact but also provided a social network. The police raids and harassment, threats from neighbors, and government surveillance that were customary before Stonewall (and even in parts of the country today) are discussed here. But the focus is on how gay and lesbian communities not only survived but passed on a legacy through it all. Highly recommended for gay and lesbian studies collections.?Lee Arnold, Historical Soc. of Pennsylvania, Philadelphia
Copyright 1997 Reed Business Information, Inc.

Review
..."essays are fascinatingly researched and engagingly written; the depth of detail here is simply splendid...this collection of essays illuminates how the complicated matrix of gender, race, class (and to some extent mobility, both social and physical) has come into play in the formation of gay, lesbian, and bisexual communities."
-"The Lavender Salon Reader
"This rich and varied collection will allow teachers of social history and of the twentieth-century United States to incorporate material on sexual identity more easily into their courses."
-John D'Emilio, "The Journal of American History, 3/98
"The essays in "Creating a Place for Ourselves provide important and inspirational building blocks in the ever-expanding field of lesbian, gay, and bisexual community studies."
-"Lesbian Review of Books

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3 of 5 people found the following review helpful.
inspiring chapters despite unmet goals
By Jeffery Mingo
This anthology has multiple purposes. They want to continue George Chauncey's assertion that pre-Stonewall life was not terrible across the board. They have two further projects. First, the contributors want to show that gay and lesbian culture existed and flourished outside of just NYC and CA. Additionally, they want to show that the intersections of race, class, and gender played a powerful role in setting the parameters for this historic gay life.

This book is well-written. I felt more and more empowered as a gay person as I finished each chapter. Though no author quotes Michel Foucault here (as most gay and lesbian studies authors do), his idea that powerlessness is never absolute plays itself out here. This book documents gay and lesbian craftiness. If you want to make private gay space at a time when homosexuality is illegal, place straight patrons at the front of clubs and gay patrons at the back. Hire door managers and bartenders that have no problems excluding or kicking out homophobes. If you can't have openly gay dancing, let customers know about private after-parties where such dancing will be allowed. If you can't be openly gay at home, split an apartment with other gay guys where you all agree that you can bring guys for action.

As necessary and idealistic as Beemyn's goals are, this book fails to meet those goals in several ways. This book starts by saying, "We need to go beyond canonical gay historians like Chauncey, Newton, and Davis/Kennedy." However, all those authors have chapters in this book. Further, other authors quote from their famous books consistently. It is surprising that John D'Emilio does not have a contribution here. However, he was working on Bayard Rustin's autobiography at the time.

The chapters move beyond NYC and SF. As a Chicagoan and a person who knows about Illinois' strong history in gay rights, I was pleased to see two chapters about my hometown. Still, though Beemyn asserts that gay men and lesbians live everywhere, the action in these chapters usually point to big cities. Maybe all gay people do not move to NYC and SF. However, if they move to Chicago, Detroit, Philly, and Washington, D.C., they are finding the next best things. Chauncey's and D'Emilio's ideas about seeking more gays and more anonymity still ring true.

This book has more information on gay men than on lesbians. However, lesbians are represented, admirably. There are also wonderful coverage of black gay men and lesbians. Beemyn states that race, class, and gender cannot be dropped from this analysis. Still, I wish he would point out that many advocates of "race, class, and gender" coverage purposely exclude "sexuality" and are very heterosexist, if not blatantly homophobic. Beemyn could have mentioned that the contributors are taking the higher road when others have not. Most of the authors acknowledge that white, middle-class, gay men had options and choices that people of color, women, and the poor could never have. Still, this book often focuses on rich, gay, white men in bringing up race, class, and gender. If "race, class, and gender" promotions don't encourage cover diversity, then what is the point?

Beemyn is a well-known bisexual activist. Thus, while his own chapter mentions an interviewee that sought male and female partners, other contributors do not mention actual bisexuals. Thus, while the word bisexual comes up in this book often, it doesn't really alter the focus on monosexual gay men and lesbians. This is well-meaning inclusion, but still superficial.

Some readers may not like the focus on bars and drag performances, but hey, that's the way it was. This book gives scant mention to cruisy areas and John Boswell and others would say those are important sites of gay contact. This book may be trying to be more respectable than the actual history makers were themselves.

Lord Alfred Douglas said homosexuality is "the love that dare not speak its name." However, the authors prove here that gay men and lesbians have been speaking up and enjoying themselves for decades and all over the United States. While the book does have its limitations, I applaud the editor for amassing those scant academic studies out there in this area.

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Selasa, 03 November 2015

>> Fee Download A New History of Asian America, by Shelley Sang-Hee Lee

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A New History of Asian America, by Shelley Sang-Hee Lee

A New History of Asian America is a fresh and up-to-date history of Asians in the United States from the late eighteenth century to the present. Drawing on current scholarship, Shelley Lee brings forward the many strands of Asian American history, highlighting the distinctive nature of the Asian American experience while placing the narrative in the context of the major trajectories and turning points of U.S. history. Covering the history of Filipinos, Koreans, Asian Indians, and Southeast Indians as well as Chinese and Japanese, the book gives full attention to the diversity within Asian America. A robust companion website features additional resources for students, including primary documents, a timeline, links, videos, and an image gallery.

From the building of the transcontinental railroad to the celebrity of Jeremy Lin, people of Asian descent have been involved in and affected by the history of America. A New History of Asian America gives twenty-first-century students a clear, comprehensive, and contemporary introduction to this vital history.

  • Sales Rank: #140850 in Books
  • Published on: 2013-09-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 8.00" w x 1.00" l, 1.45 pounds
  • Binding: Paperback
  • 376 pages

Review

"Lee has written an eloquent and comprehensive book that will be the standard text in Asian American history for many years to come."
– K. Scott Wong, author of Americans First: Chinese Americans and the Second World War

"Shelley Lee’s A New History of Asian America is an exciting, well-written, and much-needed new textbook. Synthesizing newer scholarship, this work includes chapters on previously understudied topics. It is ideal for teaching."
– Judy Tzu-Chun Wu, author of Dr. Mom Chung of the Fair-Haired Bastards: The Life of a Wartime Celebrity

"From European Orientalism to model minority to racial profiling, A New History of Asian America provides readers a much-needed synthesis of Asian American history from the late eighteenth century to the closing decades of the twentieth century. Truly a book for the twenty-first century!"
– Yen Le Espiritu, author of Asian American Women and Men: Labor, Laws, and Love

"Shelley Lee has woven together foundational texts and newer scholarship to produce a critically engaging and elegant narrative. A New History of Asian America deserves a wide readership and will be especially helpful for instructors and students in ethnic studies, American studies, and United States history."
– David K. Yoo, author of Contentious Spirits: Religion in Korean American History, 1903-1945

About the Author
Shelley Sang-Hee Lee is Associate Professor of Comparative American Studies and History at Oberlin College. She is the author of Claiming the Oriental Gateway: Prewar Seattle and Japanese America.

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2 of 2 people found the following review helpful.
It's backed up by a lot of research and a good source for this topic
By wendy
It's an extremely informative book though it can be a little repetitive. It's backed up by a lot of research and a good source for this topic.

0 of 0 people found the following review helpful.
Five Stars
By lloyd cano
It did the job.

1 of 3 people found the following review helpful.
A painfully plain read
By Egon
This book is incredibly informational. However, it doesn't explain any reasoning for why immigrants from Asia wanted to leave their home country for America. Leaving the gnawing questions of why they would even want to be treated like garbage. I guess that not the point, but it was frustrating. Plus, add some friggin' pictures, diagrams, SOMETHING. Normally I don't have this complaint, but 10-20 pages of nothing but tiny text is mind-numbing and ruins my learning experience. At least pictures of the famous figures they constantly would mention just so I could recognize them if I had to.

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## PDF Download What the Music Said: Black Popular Music and Black Public Culture, by Mark Anthony Neal

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What the Music Said: Black Popular Music and Black Public Culture, by Mark Anthony Neal

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

  • Sales Rank: #707166 in Books
  • Published on: 1998-12-03
  • Released on: 1999-01-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .49" w x 5.98" l, .78 pounds
  • Binding: Paperback
  • 216 pages

From Publishers Weekly
Rap and hip-hop clearly serve as a public forum for African-American cultural critique; here, SUNY-Albany African-American studies professor Neal argues compellingly that black popular music has always played such a role. While ably describing the ways in which the "aural landscapes" of noted performers like John Coltrane and Anita Baker comment on the social realities of their day, Neal is more concerned with social history than with musicology. His interpretations of music are closely informed by the impact of developments like Reconstruction, mass migration, urbanization, the civil rights movement and the rise of the black middle class on the African-American community at large. He is attuned to the nuance given to accounts of the black experience by class and gender at specific historical moments. He also charts the impact of the commercialization of various forms of black popular music, which, he argues, has often compromised the ability of their music to serve as an authentic articulation of African-American values and experience. However, commercialization is not, for Neal, the end of the cycle: when a genre becomes too heavily mediated by market forces, he says, black artists simply find new modes of self-expression. In this deftly written study, Neal persuasively demonstrates that, from the spirituals sung by slaves to 20th-century blues, jazz, be-bop and soul, music has provided important "aural public space" in which African-American communities have been able to share and evaluate their collective experiences.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
For a large number of African Americans, black popular music was as much about history, sociology, and politics as it was about entertainment. As radio overtook the jukebox as a hit-making force and records became a recreational option affordable to even the poorest households, rhythm and blues and bebop gave the African American community a language of its own and a medium to communicate throughout the nation. Neal (African studies, SUNY Albany) explores how music reflected the evolution of a race as its members migrated from the rural areas of the South to the industrial centers of the North, and how singer Sam Cooke's defection from gospel music mirrored the declining influence of the black church. As much as anything, music was the force that both contained the stories of a people and offered them the forum to express their ideas to one another and the world. Not for the casual fan who wants to know how Motown got started, this is a scholarly work that may be more at home in the sociology than the music section.?Dan Bogey, Clearfield Cty. P.L. Federation, Curwensville, PA
Copyright 1999 Reed Business Information, Inc.

Review
..."validates Neal's intellectual and practical contribution to the fields of popular culture and Black cultural studies."
-Deborah Elizabeth Whaley, "American Studies, Fall 2002
...".carves out a well-defined intellectual and theoretical space for the post-soul generation--the "soul babies of history."
-Deborah Elizabeth Whaley, "American Studies, Fall 2002
"Neal's cogent, coherent, and comprehensive "What the Music Said is arguably the definitive study of the relationship between 20th-century black American music and black American society as a whole."
-Bill Piekarski, "Library Journal
"Neal's grasp of the sociology of urban development is impressive, as is his familiarity with African-American studies scholarship and his knowledge of black popular music. Neal has undertaken to achieve a grand synthesis of popular culture and social research about the post-World War II black diaspora. Neal possesses encyclopedic knowledge of the music he surveys, while his pronouncements about its significance are incisive and insightful. [S]cholars interested in music, urban sociology, African-American studies, and cultural history will find "What the "Music Said to be wide-ranging in scope and penetrating in analysis. Indeed, since. Neal. undertake[s] to explore the ability of popular music to define community values, critique injustice, and inspire individuals to struggle for a more just society, perhaps [his book] should be considered appropriate reading for us all.."
-"History of Education Quarterly
""What the Music Said is a passionately written book. It provides expert analysis for those interested in the history of black arts, music and culture..."What the MusicSaid hammers home the point that black music is the spiritual and political connection to our communal souls."
-Trent Fitzgerald, "QBR, Nov/Dec 99

Most helpful customer reviews

8 of 8 people found the following review helpful.
Interesting Premises
By disco75
In this book Neal theorizes about African-American music, examining the link between early 20th century musics and turn-of-the-millenium music. The author shows connections between social developments and the forms of pop music that black Americans developed. The book is interesting both as a survey of some threads of black music and as an overview of historical changes for African-Amercians in our nation.
The linkages between the two-- the music and the social climate-- are supported by a careful analysis of the music, and more often of the lyrics of some well-known composers. Performance styles are given some attention also. However, Neal is selective about examining only those artists whose work supports his theories. Other artists whose work does not fit the schema are generally ignored. In this sense, the book is not exhaustive. That is fine, actually, as the volume is elegantly structured into six digestible chapters. This maintains the momentum of the writing and allows the reader to remain engaged, to avoid being bogged down in minutia.
Neal does a nice job of examining the African-American societies that have emerged during the 20th century. He looks at how different groups of blacks have related with each other, and how the music serves to both mollify and communicate the tensions and connections between the groups. The roles of work, finances, and community are given emphasis in his theories. As such, he focuses mostly on the middle-class, the working-class, and the under-class blacks. Other groups, such as gays or the wealthy (often the artists themselves), receive less attention.
The author does at times surrender to a hair-splitting approach with the concepts. Sometimes his writing becomes entangled, with long, long sentences that are structured so that the reader becomes lost. This occurs primarily in the later chapters. The index given to the book is fairly incomplete, making cross-referencing difficult. To his great credit, Neal tends to hew closely to common language. This makes the book as a whole accessible to a variety of readers. Overall, I found this to be a educational and insightful volume, and recommend it to anyone interested in popular music, African-American cultural studies, or contemporary history.

13 of 14 people found the following review helpful.
I Love this book, a must- buy for any lover of music
By Kdpryor@hotmail.com
I think that this book was very well written and focused very well on how the music of the Black community was a reflection of the status of blacks as well as their position. As a former student of Dr. Neal, I have learned that resistance to oppression does not always come from marches and sit-ins, but music itself can be a form of social protest. If you are a student of African-American history, you must have this book for your collection. Buy it now!

3 of 15 people found the following review helpful.
On-Point
By MAXIMILLIAN MUHAMMAD
Books Like This state The Facts of the Importance of Black Music not only in America but also WORLDWIDE.How it has shaped the World at Large.How The Beauty&Tragedy of The Music always keeps your Attention.Black Music Has Influenced everything Period.Rock-Roll was Taboo because it was from Blues,Jazz,Funk to Rap all have been Called Taboo because of The Negro Imput.it Plays Out on Society at Large.The Impact is so Strong that thru out History to this day you Get a Watered Down take of it.From What Little Richard had to Put up with thru Pat Boone among others to What The Jackson 5&New Edition deal with all of these Wack Non-Singing White Boy Bands Cashing in on a Style and Not Respecting it.Jimi Hendrix took it back Home for us as did Michael Jackson.cuz all of The Styles are Ours.Miles Davis was Straight Black with it.Marvin Gaye as well.James Brown among many made Statements Heard around the World that Spoke Volumes About Us Here In The United States.

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>> Download Ebook Understanding Advanced Second-Language Reading, by Elizabeth B. Bernhardt

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Understanding Advanced Second-Language Reading, by Elizabeth B. Bernhardt

What distinguishes this book is its broad, yet thorough, view of theory, process, and research on adult second-language reading. Offering extensive discussions of upper-register second-language texts (both expository and narrative) that adult second-language readers encounter daily across the globe, it also presents an assessment schema for second-language text comprehension as well as for the assessment of teaching.

 Understanding Advanced Second-Language Reading:

  • includes languages other than English in the discussion of second language reading
  • is firmly anchored in a theory of second language reading ─ the concept of compensatory processing
  • emphasizes the multi-dimensionality and dynamic nature of L2 reading development
  • focuses on comprehension of upper-register literary texts
  • balances theory and instructional practices.

Filling the need for a coherent, theoretically consistent, and research-based portrait of how literate adolescents and adults comprehend, and learn to comprehend, at greater levels of sophistication and whether that ability can be enhanced by instruction, this is a must-have resource for reading and second-language researchers, students, and teachers.

  • Sales Rank: #14672723 in Books
  • Published on: 2010-07-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.25" w x .50" l, .0 pounds
  • Binding: Hardcover
  • 240 pages

About the Author

Elizabeth B. Bernhardt is Professor, German Studies; John Roberts Hale Director of the Language Center; and The W. Warren Shelden University Fellow in Undergraduate Education at Stanford University, US.

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