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Serial Killers: Death and Life in America's Wound Culture, by Mark Seltzer
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In this provocative cultural study, the serial killer emerges as a central figure in what Mark Seltzer calls 'America's wound culture'. From the traumas displayed by talk show guests and political candidates, to the violent entertainment of Crash or The Alienist, to the latest terrible report of mass murder, we are surrounded by the accident from which we cannot avert our eyes. Bringing depth and shadow to our collective portrait of what a serial killer must be, Mark Seltzer draws upon popular sources, scholarly analyses, and the language of psychoanalysis to explore the genesis of this uniquely modern phenomenon. Revealed is a fascination with machines and technological reproduction, with the singular and the mass, with definitions of self, other, and intimacy. What emerges is a disturbing picture of how contemporary culture is haunted by technology and the instability of identity.
- Sales Rank: #1308762 in Books
- Published on: 1998-01-15
- Released on: 1998-02-19
- Original language: English
- Number of items: 1
- Dimensions: 11.69" h x .71" w x 8.26" l, .95 pounds
- Binding: Paperback
- 312 pages
Amazon.com Review
Mark Seltzer is a professor of English at Cornell University who has previously explored, in his book Bodies and Machines, the notion of a technological society as one in which processes of "registration, recording, and reproduction" break down distinctions between individual and mass, private and public. In Serial Killers, he argues that this "machine culture" constitutes a "pathological public sphere" that sets up the serial killer as an icon of our "wound culture"--a public not only enthralled by, but addicted to, murder and mayhem. The Washington Post writes of this book: "Drawing with equal dexterity on sources ranging from gay pulp novelist Dennis Cooper to French philosopher Jacques Lacan, Seltzer sees the serial killer as a sort of performance artist around whom we gather in an unhealthy attempt to exorcise our own demons."
Also recommended: Of Men and Monsters: Jeffrey Dahmer and the Construction of the Serial Killer by Richard Tithecott
From Library Journal
This book will not appeal to those public library patrons who troll the true-crime section looking for something that will titillate or frighten them or who, like many of us, simply have a morbid curiosity about the beasts who walk among us. Rather, it is a scholarly work whose notes section makes up almost a quarter of its length. Drawing on a vast array of studies of serial killers, both scientific and fictional, and his own previous work on man and technology (Bodies & Machines, Routledge, 1992), Seltzer (English, Cornell) explores the emergence toward the end of the last century of a "wound culture," or the public fascination with torn and opened bodies and psyches, and the concomitant emergence of the serial killer as a type of person. He offers a fresh view that should be made available to readers in academic settings.?Jim G. Burns, Ottumwa P.L., Ia.
Copyright 1998 Reed Business Information, Inc.
Review
"[A]mbitious. With great sophistication and virtuosity, Seltzer's study of popular culture widens the circle of inquiry on the subject of serial murder-theoretically, historically, and rhetorically.."
-"Journal of American Culture
"The book is unique because in three of its four sections it addresses serial killing from a relatively broad perspective rather than from a narrow case perspective. . . . Seltzer . . . makes no attempt to develop a theoretical framework, but he has prepared a thorough interesting descriptive manuscript."
-"Choice, June 1998
"Seltzer's indictment of the serial killer culture is scathing...."
-"Chicago Sun-Times, Chris Bull
"["Serial Killers] is thoroughly researched...And Mr. Seltzer's command of the territory shines through."
-"The Ottawa Citizen
"[an] illuminating new book."
-"The Washington Post
Most helpful customer reviews
2 of 4 people found the following review helpful.
Seminal study
By Dr. Philip Tew
This is a seminal study. Simply put it is a brilliant book! Trauma theory starts here, and should progress to Ruth Leys' genealogy.
13 of 17 people found the following review helpful.
Reader from New Jersey
By A Customer
Mark Seltzer's fascinating book is not for the faithhearted. It is not an easy read, but it is therefore also not to be dismissed (as some reviewers here seem to do).
Seltzer's mind is quite keen. He is a penetrating reader of texts and culture. And he sees relationships where others might see separate phenomena. In many ways building on his previous book about machine culture in America and its relationship to various texts (_Bodies and Machines_), Seltzer here probes the interaction between serial violence in real life and in novels and film. Among other things, he maps the generative influence of the one upon the other, and vice versa.
This book will probably appeal more to scholars and graduate students than to a general readership, for along the way Seltzer does draw on various critical theorists, whom those uninitiated into the world of theory will no doubt find obscure. A recommendation for them might be a book by Seltzer's former colleague at Cornell, Jonathan Culler, _Literary Theory: A Very Short Introduction_.
If, however, you are not searching for beach reading, but rather a serious, challenging, and often macabre, look at the ways in which our society is obsessed with violence, this is a book that will repay your close and sustained attention. Moreover, it will probably, like Seltzer's other work, rub off on you in some way and help you read texts -- and culture -- with a more critical eye.
1 of 12 people found the following review helpful.
good work, but the author is missing some pertinent aspects
By A Customer
Curiously missing from this text is a discussion of the fiction of Poppy Z. Brite--particularly her novel Exquisite Corpse. This novel,strangely enough,prefigures the Andrew Cunanan(I hope I'm spelling his last name correctly)murder spree. Also, Seltzer shows no evidence of having read the work of intellectual historian Louis Kern. His essay on the splatterpunk phenomenon would have been useful to Seltzer's arguments.
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