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Revolutionary Memory: Recovering the Poetry of the American Left, by Cary Nelson
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Revolutionary Memory is the most important book yet to be published about the vital tradition of leftwing American Poetry. As Cary Nelson shows, it is not only our image of the past but also our sense of the present and future that changes when we recover these revolutionary memories. Making a forceful case for political poetry as poetry, Nelson brings to bear his extraordinary knowledge of American poets, radical movements, and social struggles in order to bring out an undervalued strength in a literature often left at the canon's edge. Focused in part of the red decade of the 1930s, Revolutionary Memory revitalizes biographical criticism for writers on the margin and shows us for the first time how progressive poets fused their work into a powerful chorus of political voices. Richly detailed and beautifully illustrated with period engravings and woodcuts, Revolutionary Memory brings that chorus dramatically to life and set a cultural agenda for future work.
- Sales Rank: #3903682 in Books
- Published on: 2003-01-17
- Released on: 2003-02-13
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .64" w x 6.00" l, 1.01 pounds
- Binding: Paperback
- 280 pages
Review
"Cary Nelson's "Revolutionary Memory offers exhaustive scholarship of a genuinely lived kind, as personal interviews and rare artifacts of material poetic culture--texts marked up for performance, poems transcribed onto postcards home, scrapbook entries--reveal the meanings and uses of poetry in people's everyday lives and reflect this book's remarkable level of historical detail."
-"American Literature
"Nelson's book is an important realization of the sort of literary archaeology that he called for in Repression and Recovery. It is particularly valuable in its sustained attention to the poetics, practice, context, influence, and achievement of the Depression generation of Left poets, placing (or replacing) those poets within longer and larger Left traditions."
-James Smethurst, University of Massachusetts in Amherst, Radical Teacher, September, 2002
About the Author
Cary Nelson is Jubilee Professor of English at the University of Illinois at Champaign-Urbana. He is the editor of the Anthology of Modern American Poetry (Oxford). He has co-authored or co-edited several books for Routledge, including Academic Keywords, Madrid 1937, and Cultural Studies.
Most helpful customer reviews
4 of 4 people found the following review helpful.
An Incredible History of the Labor Movement through Its Poetry
By John DeLaurentis
If you ever wondered what the left, and those associated with the American Communist Party, were thinking, this book documents through poetry their suffering, their emotion, and their political passions. Often those who are linked with the left or the communist party are thought of as being aligned with the fascism of Hitler. This is a grave error! Many were involved in the fight against facism. These people were concerned with fair working hours and wages for the working class who were often abused by the steamroller of industrialism. We do not realize that the eight-hour work day we take for granted today was something these people fought for. This book does an excellent job recovering a lost chapter in American history. Nelson writes this history with incredible fluidity and grace. It is filled with many pictures of the poetry documents from his own collection. And despite the political poetry of this period being marginalized and forgotten for decades, it is powerful and moving poetry that serves wider purposes than just its historical context. There is a lot that people of our modern generation could learn and relate with to our current societal struggles. Open your mind and read. You will learn an incredible amount of information about these unsung heroes of our past.
1 of 2 people found the following review helpful.
Collective Voice of a Revolution
By Kevin Killian
In part because so many important documents and texts now appear to be lost irretrievably, through careless indifference or malice, Cary Nelson tells us right upfront there that is "no one story to tell" in the history of American poetry of the Left during the first half of the twentieth century, but he insists that there are many stories that might still be told.
Without a single narrative arc, Nelson's book isn't as dramatic a statement as his groundbreaking volume Repression and Recovery: Modern American Poetry and the Politcs of Cultural Memory, 1910-1945. He begins with a sampling of poems, beginning with Markham's once famous "The Man with a Hoe," that (he claims), the New Critical establishment wanted to will away, and from the patchwork assortment he moves on to a striking test case, a poet called Edwin Rolfe and the vicissitudes of his career. I had just about heard of Edwin Rolfe and had no idea of the extent of his involvement in various causes and poetics, but Nelson is not really interested in reviving the reputation of any one forgotten poet. He is more keen rather on presenting Left poetry as a whole, and the third part of his book really had me quarreling in my head with some of his decisions. He suggests that a good way to understand the poetry of the left would be to take various lines from various poems and make your own poem out of it. and he does this on several occasions.
I found the results singularly unconvincing and, of course, "nervy" isn't the word for it. A monkey, no, even one of my cats, could have constructed a stronger poem than the "poetry chorus" Nelson makes out of scraps and lines from a few dozen poets. I think emotionally I believe in what he is saying, but there must be a less self-serving way for him to go about it. (In this light, why, why, why on every page, whenever there's an illustration, must we get the same tag, "From the collection of the author"? Just put it in the front of the book and have done with it. Otherwise you're just asking for burglars to come to our office and take what must surely be the largest collection of left-poetry-ephemera ever publicized in one book.)
Part III dealt with left causes in general and how to make one poem out of them, but Part IV ups the ante by narrowing in on a particular body of work, the poetry of the Spanish Civil War (not all of it by Americans, in this chapter). Nelson is a brilliant scholar and the things he does with language are astounding, and never more so than the way in which, here, like dominoes, one simple flick of his pen causes hundreds of scholarly and popular misconceptions to fall down in sequence... he should be in the Guinness Book of World Records for two reasons.
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